Chapter in edited book:

‘Formal Radicalism versus Radical Representation: Reassessing The French Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971)’ (2021), New Wave, New Hollywood: Reassessment, Recovery, and LegacyAbrams, N. & Frame, G. (eds.). New York: Bloomsbury Academic.


The Vigilante Thriller: Violence, Spectatorship and Identification in American Cinema, 1970-76. New York: Bloomsbury

He Disagreed with Something that Ate Him: Reading The Living Daylights & Licence to Kill


Revenant Journal 

Identity and Folk Horror  in Julian Richards’ Darklands

Bright Lights Film Journal

Watch it Again! Society (Brian Yuzna, 1989)
Watch It Again! Joe (John G. Avildsen, 1970)
Superman v Objectivism: Forget Lex Luthor and Brainiac; Could Ayn Rand Be Superman’s Biggest Enemy?   

Horror Homeroom

Teeth: A, Sort of, Superhero 
God’s Work: Witchfinder General and the Abuse of Power

The London Film & Media Reader 1 (as Tom Edwards)

Paul Verhoeven@85, Bangor University. Panel ‘Get Ready for the Ride of Your Life’, Chair Blake Wilson (California State University, Stanislaus), 8 September 2023.

American New Wave: A Retrospective, Bangor University. PANEL A – Revisiting Key Films of the American New Wave I (Roberts Room) (Chair: Matthew Melia), 4 July 2017.

The London Film & Media Conference 2011. PANEL MED41 – Crime Fictions (Cohen, R/Ioannidou/Edwards/Formica), 14 July 2011.


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