Chapter in edited book:
‘Formal Radicalism versus Radical Representation: Reassessing The French Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971)’ (2021), New Wave, New Hollywood: Reassessment, Recovery, and Legacy. Abrams, N. & Frame, G. (eds.). New York: Bloomsbury Academic.
Books:
He Disagreed with Something that Ate Him: Reading The Living Daylights & Licence to Kill
Journals:
Revenant Journal
Identity and Folk Horror in Julian Richards’ Darklands
Bright Lights Film Journal
Watch it Again! Society (Brian Yuzna, 1989)
Watch It Again! Joe (John G. Avildsen, 1970)
Superman v Objectivism: Forget Lex Luthor and Brainiac; Could Ayn Rand Be Superman’s Biggest Enemy?
Horror Homeroom
Teeth: A, Sort of, Superhero
God’s Work: Witchfinder General and the Abuse of Power
The London Film & Media Reader 1 (as Tom Edwards)
Conferences:
Paul Verhoeven@85, Bangor University. Panel ‘Get Ready for the Ride of Your Life’, Chair Blake Wilson (California State University, Stanislaus), 8 September 2023.
American New Wave: A Retrospective, Bangor University. PANEL A – Revisiting Key Films of the American New Wave I (Roberts Room) (Chair: Matthew Melia), 4 July 2017.
The London Film & Media Conference 2011. PANEL MED41 – Crime Fictions (Cohen, R/Ioannidou/Edwards/Formica), 14 July 2011.
orcid.org/0000-0002-5298-9717