Chapter in edited book:
‘Formal Radicalism versus Radical Representation: Reassessing The French Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971)’ (2021), New Wave, New Hollywood: Reassessment, Recovery, and Legacy. Abrams, N. & Frame, G. (eds.). New York: Bloomsbury Academic.
The London Film & Media Reader 1 (as Tom Edwards)
American New Wave: A Retrospective, Bangor University. PANEL A – Revisiting Key Films of the American New Wave I (Roberts Room) (Chair: Matthew Melia), 4 July 2017.
The London Film & Media Conference 2011. PANEL MED41 – Crime Fictions (Cohen, R/Ioannidou/Edwards/Formica), 14 July 2011.